Weeds (Ebook)
The Story of Outlaw Plants
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A lively and lyrical cultural history of plants in the wrong place by one of Britain's best and most admired nature writers
Ever since the first human settlements 10,000 years ago, weeds have dogged our footsteps. They are there as the punishment of 'thorns and thistles' in Genesis and , two millennia later, as a symbol of Flanders Field. They are civilisations' familiars, invading farmland and building-sites, war-zones and flower-beds across the globe. Yet living so intimately with us, they have been a blessing too. Weeds were the first crops, the first medicines. Burdock was the inspiration for Velcro. Cow parsley has become the fashionable adornment of Spring weddings.
Weaving together the insights of botanists, gardeners, artists and poets with his own life-long fascination, Richard Mabey examines how we have tried to define them, explain their persistence, and draw moral lessons from them.
One persons weed is another's wild beauty.
Weeds (Paperback)
The Story of Outlaw Plants
Buy from
A lively and lyrical cultural history of plants in the wrong place by one of Britain's best and most admired nature writers
Ever since the first human settlements 10,000 years ago, weeds have dogged our footsteps. They are there as the punishment of 'thorns and thistles' in Genesis and , two millennia later, as a symbol of Flanders Field. They are civilisations' familiars, invading farmland and building-sites, war-zones and flower-beds across the globe. Yet living so intimately with us, they have been a blessing too. Weeds were the first crops, the first medicines. Burdock was the inspiration for Velcro. Cow parsley has become the fashionable adornment of Spring weddings.
Weaving together the insights of botanists, gardeners, artists and poets with his own life-long fascination, Richard Mabey examines how we have tried to define them, explain their persistence, and draw moral lessons from them.
One persons weed is another's wild beauty.
Reviews for Weeds
Sunday Telegraph
Country Life
Professor Stephen Hopper, Director, Kew Gardens
Ronald Blythe
Daily Mail
Andrew Motion Guardian
Nature
Financial Times
Enraptured, visionary, witty and erudite ... firmly in the Gilbert White tradition. Why, by the way, can English writers do this better than anybody else?
A fascinating read.
'
Telegraph
BBC Countryfile
Economist
Mabey's amble through the low-level, high-rise world of weeds is rich in lore and usefulness. As in all his work, what comes across is his abiding passion for plants and the sustenance they give both imaginatively and spiritually.
Richard Mabey writes about weeds with the confident affection of someone discussing old friends ... this [book] is as much a celebration of the vexed coupling between mankind and plantlife as it is a fine marriage between subject and author.
'
Bella Bathurst Observer/The Guardian
Stephen Anderton The Times
www.recklessgardener.com
Sunday Telegraph
Independent
Mabey is incapable of writing a tedious sentence and this book strays into as many byways as the seed of rosebay willow herb ... completely riveting ... he's at his best in the most unexpected areas.
His strength lies in his ability to view his subject not dispassionately, for he writes with magnificent passion, but in a way that removes us, the true interlopers as the most important characters in the plot.
'
Anna Pavord Gardens Illustrated
Countryman
Mabey is as well versed in the literature of weeds as in the botany, richly weaving his own observations with the words of others; Shakespeare on nettles, Ruskin on poppies, Thoreau on brambles and Will Self on 'blisterweed'.
Mabey uses weeds as a way to explore wider ideas about the natural world and how humans interact with it ... a profound and sympathetic meditation.
You'll look at weeds in a whole new way.
'
Sunday Times
Big Issue Scotland
Big Issue London
Irish News
Irish Times
Guardian
Carl Zimmer, author of Evolution
Bill Streever, author of Cold
Richard Holmes, author of The Age of Wonder
Richard Mabey
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